为了培养出忠实效忠于成人、在逆境中坚忍不拔的青少年一代,日本政府出台《BR》法案。每年都从全国学校随机抽出一个班级的同学,前往荒岛进行生存极限挑战——老师发给学生地图、粮食和各式武器,令他们自相残杀,直到存活下来的最后一个,才能离开荒岛。接下来,残酷的游戏规则和令人绝望的生存条件,使班级里的年轻人开始了相互杀戮。善良或者凶残,主动出击或者被动防守, 同学们开始了各自的计划,人性的丑恶在血腥的死亡中暴露无遗。 大逃杀的游戏在荒岛上壮烈上演。究竟学生们的宿命如何,谁才是最后的存活者。
来自北京的支教老师韩松初到藏区,恶劣危险的生存环境立马给了他一个下马威,被狼王追赶,被动物夜袭,艰苦的生活条件让他不知所措,但藏区学童和同胞们对他的热情与照顾却温暖人心。孩子们眼中的纯真和对学习的渴望感染了韩松,他克服一切困难,承担起所有科目的教学,在朝夕相处中与孩子们结下了深厚的情谊。平静美好的支教岁月被打破,猖狂的盗猎者夜闯学校伤人,韩松和学童们经历了生死的考验,又因远在北京的韩母病危不得不分别。在所有学童的殷切期盼中,最终韩松选择回到高原,将自己的青春和生命奉献在这里,与善良美丽的藏族姑娘格桑梅朵一起,助力一代又一代的西藏学子改变人生实现梦想。
2015年聖何地電影院(Premis Sant Jordi de Cinematografia)最佳西班牙電影
电影《回到过去未成年》根据爱奇艺文学IP《时间折痕》改编,主要讲述了深受家庭问题困扰的9岁男孩章鱼偶遇17岁的神秘少女樱花,两人进入时间之门展开了一段奇妙旅程,发生了一系列令人啼笑皆非的事。小章鱼和樱花在这段旅程中收获了成长,两人真正的关系也浮出水面。
《神探夏洛克》是一部由BBC出品的英国迷你电视剧,该剧将原著的故事背景从19世纪大英帝国国势鼎盛的时期搬到了21世纪繁华热闹的大都市中。 试播集为原型短剧,从未在电视上播出过,2010年8月28日作为DVD花絮放出。 这一次夏洛克·福尔摩斯(本尼迪克特·康伯巴奇 Benedict Cumberbatch 饰)不仅是著名大侦探更是一名时尚潮人。这一集的故事从他与日后的好友兼得力助手约翰·华生(马丁·弗瑞曼 Martin Freeman 饰)如何相识说起。起初两人合租贝克街221B公寓时候,华生并不能忍受这个奇怪的室友。但在共同经历了离奇市民自杀案件后两人的关系明显改善。而华生原本左肩在战斗时中弹,留下了心理障碍导致的跛足,也在跟随夏洛克追踪凶手,穿越伦敦市区的过程中克服了心理上的伤残障碍而痊愈。 之后还有多少精彩绝伦的故事,只有让BBC的正式剧集来告诉大家了。
在一场深夜车祸中,王人杰与一名年轻女子同行,女子因为酒驾而惨死,而王人杰则患上了失忆症。他时常被病痛和女子的冤魂所困扰,只能依靠心理治疗来维持生活。在女心理医师李雨虹的帮助下,王人杰终于找到了一份夜班守卫的工作。然而,他所工作的地方是一座废弃的“福宝阁”,而这座“鬼屋”似乎有着诡异的过去。 午夜时分,王人杰按照约定来到“福宝阁”上班,而这座鬼屋的冤魂也如约而至。随着故事的发展,王人杰和“福宝阁”的冤魂之间的联系逐渐浮出水面,一个涉及姐姐的复仇计划正在酝酿之中。谎言、秘密和背叛交织在一起,使得故事的真相更加扑朔迷离。这个故事融合了心理治疗、失忆、灵异现象和复仇等元素,充满了不可预知的转折和惊险的情节,让人无法停下探秘的脚步,直到揭开所有谜团的最后一刻。
两名银行职员设法从已故客户的账户里偷走了一笔财富,并无意中激怒了想要拿回这笔钱的危险人物。
由檀君神话吃艾草和大蒜后熊会变成人的典故出发,分别讲述吃艾草和吃大蒜后的两只熊,变成两只截然不同性格的人的故事。其中一只熊是可爱无知的村民,另一只熊则是最强大黑帮集团的二把手。 《熊男》由作为喜剧人的朴圣光导演,朴成雄主演,综合了喜剧、动作与黑色幽默。朴成雄将一人分饰两只熊。
一场谋杀案使银行家安迪(蒂姆•罗宾斯 Tim Robbins 饰)蒙冤入狱,谋杀妻子及其情人的指控将囚禁他终生。在肖申克监狱的首次现身就让监狱“大哥”瑞德(摩根•弗里曼 Morgan Freeman 饰)对他另眼相看。瑞德帮助他搞到一把石锤和一幅女明星海报,两人渐成患难 之交。很快,安迪在监狱里大显其才,担当监狱图书管理员,并利用自己的金融知识帮助监狱官避税,引起了典狱长的注意,被招致麾下帮助典狱长洗黑钱。偶然一次,他得知一名新入狱的小偷能够作证帮他洗脱谋杀罪。燃起一丝希望的安迪找到了典狱长,希望他能帮自己翻案。阴险伪善的狱长假装答应安迪,背后却派人杀死小偷,让他唯一能合法出狱的希望泯灭。沮丧的安迪并没有绝望,在一个电闪雷鸣的风雨夜,一场暗藏几十年的越狱计划让他自我救赎,重获自由!老朋友瑞德在他的鼓舞和帮助下,也勇敢地奔向自由。 本片获得1995年奥斯卡10项提名,以及金球奖、土星奖等多项提名。
昭夫是一个忙碌的人力主管,每天都过着紧张忙碌的生活。与此同时,他的个人生活也备受困扰,他与妻子的关系日渐恶化,离婚的阴影笼罩在他们之间。与大学生女儿的沟通也并不顺畅,家庭的压力让他倍感疲惫和无助。在这样的背景下,昭夫决定去东京老城区看望他的母亲福江(吉永小百合饰)。然而,他却发现母亲的生活似乎发生了奇怪的变化。过去,福江总是穿着围裙忙碌于家务,但现在却换上了时髦的衣服,活力十足,甚至还坠入了爱河!对于这突如其来的变化,昭夫感到十分困惑,他在母亲的家里感到格格不入。然而,当他与善良、热情、略带爱管闲事的邻居以及母亲的另一面相遇时,他开始逐渐发现一些以往未曾注意到的细节。这些新发现让他重新审视了自己的生活和家庭关系。通过重新连接母亲,昭夫或许会找到重新定义自己生活的方式,并在过程中解决他所面临的挑战和困境。这段旅程也许将成为他重塑人生的转折点,带来新的希望和启示。
电影《荞麦疯长》最全幕后,尽在爱奇艺电影
因为丝袜,他和死了两年的女人有了联系! 因为丝袜,他差一点失去了自己的亲生骨肉和女朋友! 李成辉和女朋友许佳佳在大城市打拼,有一天一个丝袜美女张楠住进了他们的隔壁,从此激发出李成辉内心深处的丝袜控和恋脚癖倾向。又因为女友的从不打扮以及不穿丝袜和高跟鞋,导致两人感情出现种种问题......
In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil. The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968). Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace. As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery. Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door. The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more. Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village. The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act. The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.